It is very good, Sir Jeremy, to have you in the Chair, not least because you know a thing or two about the Department, having played a role there for a while. I also congratulate Lisa Smart on securing not only the debate but quite a large audience for it—certainly bigger than many audiences that I have seen in Westminster Hall.

The hon. Member is right to refer to the Forum theatre, which reopened after £300,000 of investment. She was a bit modest because, as a councillor, she was one of the leading figures who campaigned to get it reopened—perhaps that played a part in her getting elected to this place. I see that she is smiling. It is not quite a Mona Lisa smile; it is more of a “Yes, I did, and thank you very much, Minister, for mentioning it” smile.

I gather that the Forum theatre reopened with “Everybody’s Talking About Jamie”, which I think was for just one night only. The young lad playing the lead had effectively grown up in that theatre and learned his craft there. That is yet another aspect of community theatre, namely that young people become engaged in the arts through it. Sometimes, they are young people who would not necessarily be interested in other academic subjects in school, but who see that the creative industries are a career choice or option for them, and they have a moment of extraordinary bravura on stage. Alternatively, somebody might work backstage and decide that that will not be the career for them, but none the less gains a degree of confidence and a sense of working as part of a team. People learn how to take a cue or prompt a cue, and so on.

All those elements are part of growing up as a young person and those skills are essential life skills for nearly every work environment, which is why the creative industries are so important. That is true when there is a massive production of “Matilda” by the Royal Shakespeare Company, which ends up becoming a worldwide success, or “War Horse” by the National Theatre, or “Les Mis”, which was originally an RSC production. That is also true, however, when we are talking about much smaller venues where the subsidy is a key aspect of managing to keep the whole thing going.

Incidentally, I should say that Dan Gillespie Sells, who is a friend of mine, wrote the music for “Everybody’s Talking About Jamie”. As I will say more about later, theatre is not just about buildings; it is also about having the writers and the musicians coming into the pipeline, so that we have shows in the future that people really want to see.